You apply it to any object, and it adds a custom rollout to the base object, with a small interface that you can use when the object is selected.

I built it for fun in response to a thread on CGTalk.

Screenshots

Here it is working on a target camera. Note both the camera and target are transformed.

And here it is working with an IK handle. Note the swivel angle is updated as well as the transform.

Download and installation

Download TransformPresets.mzp and then drag the .mzp file onto one of your 3dsmax viewports, which will install the script in the correct directory. Then you can add the script to a toolbar / quad by going to:

• Customize > Customize User Interface…
• Then look under the Animation Tools category for Transform Presets

After trying various approaches to get animation data from 3dsmax to Flash, Good Technology got in contact with me to write an exporter in Max Script for their latest Papervision job for the Audi RS6 microsite.

The plugin has 2 main functions:

• Visualize particle motion before export
• Export particle and camera data from max’s Z-up coordinate system to Papervision’s Y-up coordinate system

More information and screengrabs are available on my portfolio site.

Screenshot

Interface

As with all interfaces I write for 3dsmax, I do my best to provide as much feedback as possible. Note:

• Group titles are updated with the latest information
• Dropdowns have an update button
• Tasks have multiple customization options
• Progress bars and dialog preferences come as standard

Download

This plugin is not available for download, however please contact me if you wish to discuss custom Papervision3D or any other development.

So, the plan was to render out one complex 3D sequence, do all the sexy post-production in After Effects, then comp-in the characters, as quick post-process, so the whole thing appeared seamless.

Enter After Effects Tracker…

After Effects Tracker is designed to compliment the tracking tools found in After Effects, by transforming and exporting 3D data (world-space) to 2D data (screen-space) that After Effects can use. The following data can be exported:

• One-point track (position)
• Two-point track (position and rotation)
• Four-point track (corner pin effect)
• Depth (Z-buffer information)

After processing an object in the 3dsmax scene, After Effects-compatible data is copied to the clipboard, that can simply be pasted onto an After Effects layer as key frames, mirroring the 3dsmax scene verbatim

Interface

Below you can see how it’s a simple case of selecting the appropriate objects and clicking “Export”.

Where needed, the vertex positions can be visualized and compared to the After Effects scene to make sure any corner pinning is achieved the right way round, and not mirrored or rotated.

End result

From 3dsmax to After Effects

In the case of getting our 2D characters existing believably within the scene, I knew I would be able to achieve the effect using combination of corner pinning and Z-buffer information, along with a little matting where needed. The process was as follows:

1. Animating and exporting the 3dsmax scene data:
   • Build, animate and render the 3dsmax scene
   • Position the 3D planes for each shot to face the camera as directly as possible
   • Export the corner-pinning and depth data
2. Positioning the character layer within the After Effects composition:
   • Within the After Effects comp, place a 2D character on the top layer of the rendered footage
   • Apply the Corner Pin effect to the character layer and paste the corner pin data to give the illusion of the character being positioned correctly in 3D space
3. Matting in the character so it doesn’t appear to float on top of the footage:
   • Duplicate and isolate the roller coaster car layers using an ID-matte, then place above the character layers
   • Apply the depth information exported earlier to any foreground elements, such as roller coaster cars or the track itself, to isolate only the foreground of each layer

Data

Below is a sample of the exported data:

Adobe After Effects 7.0 Keyframe Data

	Units Per Second	25
	Source Width	0.0
	Source Height	0.0
	Source Pixel Aspect Ratio	1
	Comp Pixel Aspect Ratio	1

Transform	Position

	Frame	X pixels	Y pixels	Z pixels
		0	0	0	

Transform	Anchor Point
	Frame	X pixels	Y pixels	Z pixels
		0	0	0	

Effects	Corner Pin #1	Upper Left #2
	Frame	X pixels	Y pixels
	0	-53.172	-31.8445
	1	-52.9779	-35.3856
	2	-52.7437	-38.9376
	3	-52.4771	-42.5169
	4	-52.1589	-46.1085
	5	-51.8003	-49.7146
	6	-51.4037	-53.3403
	7	-50.9531	-56.9749

Download

This plugin is not available for download, however please contact me if you wish to discuss custom 3dsmax / After Effects or any other development.

Camera Animator is designed to animate a camera through a series of locked-off shots, at user defined times, for such things as titles, credits, walk-throughs, or any other situation where you would want to move methodically through a series of points-of-interest.

Click the image below to view a QuickTime movie of the script in action.

Benefits

Camera Animator allows you to concentrate on framing “template” shots without worrying about animation timings, then quickly and easily create a base animation from those shots by clicking a single button.

You can continually re-frame the original shots, as well as adjust the timing and weighting of the movement in a variety of ways, and it’s just a few clicks to add cameras, reorder cameras, change timings of holds or moves on a per-camera basis, and have the entire animation update.

The final key-framed animation can be used a starting point for further development, or can just be used as-is.

Interface and basic usage

Using the script is quite straightforward:

1. Set up your scene by framing your required shots using target cameras
2. Click the Grab Cameras from Scene button to add the cameras
3. Adjust individual camera settings, such as Hold Time and Move time
   
4. Click the Animate Camera button to create the animation
5. Repeat the process from step 3 as necessary

A new Animated Camera will be created that animates through the Template Camera positions using the default values of 75 frames per hold, and 25 frames per move.

You can continually re-adjust settings, and click Animate Camera again to update the animation.

Options

There are various ways to customize the animation that the script creates:

Change Template Camera order by selecting camera(s) in the list and clicking the Up and Down buttons.

Change Hold and Move timings by either selecting the camera(s) in the list and adjusting the timings spinners, or by selecting the camera by double-clicking the item in the list, and editing the camera’s Camera Animation parameters in the Modify Panel.

Toggle the Synchronize List checkbutton to automatically synchronize the Template Cameras list selection as you drag the Time Slider. This is useful for quickly adjusting timings as you scrub through the animation.

You can also change the controller types used, depending on the level of control / ease of use required. Choose from between Position XYZ, or Bezier Position.

Choose any of the default tangent types, such as Slow, Auto, Linear to adjust the easing of the movement.

Assign a Secondary Animation track to the Animated Camera, complete with placeholder keyframes for later adjustment, to add subtle movement on top of the main animation.

Animation

The script automatically creates 2 sets of controllers and keyframes:

• Primary Motion: a primary set of keyframes for Camera, Target and FOV, animating a path through the Template Cameras
• Secondary Motion: a secondary set of placeholder keyframes (on either Camera’s position controller, or an XForm modifier) to allow the animator to add further subtle movement.

You can clearly see both animation curves in the Trackview below.

In this case, the Secondary Motion keys have been adjusted to give the holding phases a little life, by gently tracking left and right in the horizontal axis.

Case Study

You can see Camera Animator in action on a real job in the screen grab for my Viewport Layout Manager.

Download and Installation

Download Camera Animator.ms then drag it onto your 3dsmax viewports to create the Camera Animator dialog.

Sample Scenes

• Camera Animator before and after sample scenes

A lot of times when you’re animating, your trackbar can get pretty crowded. 3dsmax provides trackbar key filtering on a global level, but sometimes this isn’t as precise as needed:

Plugin

Filter Trackbar Keys provides multiple per-track control over which keys display in trackbar for the selected object.

Download and Installation

Download and run Filter Trackbar Keys 1.0.ms from 3dsmax.

It will create the macroscript in the correct directory for your max version, then you can add the script to a toolbar by going to:

• Customize > Customize User Interface…
• and looking under the Animation Tools category for Filter Trackbar Keys.

• Scripted controllers & node references
• IntersectRay
• Object transforms

…to make a boat stick to a very animated surface, as well as holding its direction. Before anyone moans about the fact it doesn’t look like it’s actually sailing – thank you, but that’s not really the point of the exercise

Screenshot

Download

Download Animated Surface Align for 3dsmax 8.

NB. This script’s capabilities have now been superseded by max’s new Script Controllers, so I may update this at some point.

Screenshots

Interface

Download and Installation

Download and run Scripted Lookat.ms from 3dsmax.